The Contemporary Classical Composer's Bullshit Generator

This composition mixes all sorts of expressions, before morphing somewhat coherently, and finishing with an extremely sub-structured series of 'analysis-tritones' (as I like to call them). The pursuit of pre-conceived module-ensembles to challenge the mostly-professional paradigm is a key focus of my chaotic study. My work is primarily concerned with absolute sound. The unifying features of my output include the re-devising of developments as an element within the arrangement-influencing process, and a constant use of the 'novelty-semitone', in which linear forces generate meaning. To compose is a natural desire, but my current compositional activity seeks to re-cultivate all visions. It also composes and transforms harmonically-non-linear rhythm-choreographies. My latest composition explores the boundaries between patterns and recordings, whilst utilising a highly creative attitude to a traditional, binary method.