The Contemporary Classical Composer's Bullshit Generator
It is always crucial to morph a sense of 'fermatas of pitch', never more so than today. It has been said that those who seek a musical idiophone are unable to abandon or decipher challenges, at least not eclecticly, but I fundamentally disagree. Combining oscillations, arts and tonalities (as well as synthetically abandoning colours), my overall aesthetic is that of the 'abstractly-additive' school of orchestral visions. As a highly sub-percussive composer, I explore the connection between pitch-classes and solos, and search for new ways to 'influence the leitmotif'. Working sub-solitarily means that my focus is always postmodernly-based, and never octatonic. As a rather professional composer, I yearn to arrange, and suggest sonically-complex meanings, an approach that features prominently in my recent intra-rhythmic works.