The Contemporary Classical Composer's Bullshit Generator

As a primarily theoretical artist, I aim to morph the instrument within melodic-chordophones, and bring forth a single resonator that really suggests the most polyrhythmic issues. This composition transposes all sorts of parts, before challenging somewhat meaningfully, and finishing with an extremely flowing series of 'polyphony-ensembles' (as I like to call them). Rather than disparately creating technical materials, I now prefer juxtaposing professional types of transcription, in conjunction with highly polyrhythmic reverberations. I was first introduced to the concept of 'radically-rational element-unities' last year, and it has allowed me a greater depth of narratives, especially whilst transforming the ultimate perception. It has been said that those who improvise a musical speaker are unable to explore or orchestrate processes, at least not acoustically, but I fundamentally disagree. It is of paramount importance that stereophonic, modernistic fermata-tensions must never be allowed to become resonant, or asymmetrically complex.