The Contemporary Classical Composer's Bullshit Generator

I have found that spectral systems, in combination with unique visions enable me to flowingly write brand-new textures in a highly anti-post-Schoenberg and extremely ultra-graphic way. When I start a new polytimbral composition, I linearly re-experience all the non-post-neo-Romantic modulations, so as to achieve a highly focused, poly-spatial canon. In short, the colour must never dominate the force. I have always been fascinated by the recording of meanings, which has led me to transcribe the use of 'choreography-unity' and cognitive ideas alongside developing the boundaries between processes and elements. Working provocatively means that my focus is always bitonally-based, and never generative. My approach to sound is predicated upon composing the connection between the 'neo-Romantic-substance' and repetitive aesthetic-clusters.