The Contemporary Classical Composer's Bullshit Generator
The pursuit of polytonal intricacy-leitmotifs to present the mostly-literal paradigm is a key focus of my multimedia study. Combining choreographies, motifs and relationships (as well as soloistically integrating oppositions), my overall aesthetic is that of the 'diametricly-sequential' school of creative meanings. It has been said that those who integrate a musical non-linearity are unable to suggest or arrange hemiolas, at least not stylistically, but I fundamentally disagree. My work is primarily concerned with Wagnerian sound. The most important tip I can give anyone is this: Never experience discontinuous techniques; rather, endeavour to contextualise your linearly-aesthetic relationships. In my most recent work, patterns, intricacies and melodic sources are all used within melodically-polyrhythmic idiophones, allowing the audience to seek a variety of absolute linearities.