The Contemporary Classical Composer's Bullshit Generator
My work aims to create aleatorically-quadrophonic rhythms with melodically-21st-century arrangements whilst dismissing certain reactions or meaningful pieces. If one concept must be grasped, it is this - the semantic chord always opposes the aesthetics, and it must do so entirely discontinuously. My newest piece rejects, performs and extendedly integrates a massive variety of super-polyrhythmic platform-visions. The unifying features of my output include the re-deconstructing of dissonances as an element within the tempo-composing process, and a constant use of the 'analysis-hexachord', in which theoretical solos generate meaning. In my most recent work, reverberations, installations and apparent chorales are all used within postmodernly-improvisatory transcriptions, allowing the audience to dismiss a variety of post-serial reactions. My goal, in essence, is to cultivate musical meanings.